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I made it using appliqué of paper pieced silks on a katazome background of graded color. It had borders of pieced yukata cotton with a hydrangea pattern, and silk dyed with a delicate pattern of hydrangeas and butterflies. I priced it so high that I thought it would not sell and I could continue to enjoy it myself for a little while, but lo and behold it sold to a collector in Florida. I missed it for awhile because I had planned to hang it in my studio, but it was certainly good for my ego as a beginning quilter. The border is the same stencil pattern (RP13) that I use for indigos, but it is lovely in colors. Here it is as a pillow top.
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I have revisited hydrangeas several times for stencils. This one I use primarily for garment fabrics for my wrap coat pattern. I made it in delicate blues on white once, but I do not have a picture of it.
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Here is another, PP 19, that is new to the indigo inventory. I have not used it for garments yet but the positive negative aspects are intriguing.
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The motif of the rainy season has appeared twice since in small art quilts. This one sold at the Japanese Garden a few years ago. I have another piece of this fabric left to make a second quilt. I have a notion to appliqué part of an umbrella in the foreground.
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This one was made using a heavy paper stencil to apply soy wax and acid dyes in a class at Coupeville with Betsy Sterling Benjamin.
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The last hydrangea stencil is quite large and I am finding it interesting with kakishibu, the persimmon dye used to laminate stencil paper, among many other uses. This is a single panel I am getting ready for Kobo in Seattle.
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